Hollywood Sign


A quick comic for Nico Vega’s “Hollywood Sign”

hollywood

“The name’s Baby
And in the spot light I’m a real lady
But when the camera’s off, I die slowly
I’ve got an entourage but they don’t know me
‘Cause I’m the ghost of the Hollywood Sign”

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Cow Boy Sketch


Just a quick sketch of Boyd Linney before I sleep

20130429-000900.jpg

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It’s Always Midnight Somewhere


It’s always midnight somewhere.
Here? Not quite. But I don’t have time for details like that.
I missed my mark, and one too many whiskeys have lead me here, watching the sun rise, thinking about the cat I had until he died when I was 19.
I miss him more than old friends and ex-girlfriends.

I reach for a cigarette, forgetting that I had quit, now realizing I have no idea how this is going to work.
Never underestimate preparation.

It’s magic. It’s not a game for kids or people with heart issues. It’s not about changing the world or raising the dead or seeing a long dead cat again.
It’s about changing yourself, when it all comes down to it.

Magic, when you strip it down and grab it by the hairy ballsack is all about making yourself seem to be the person you think you should be.
Right now, I want to be smoking a cigarette and drinking another drink, not rolling magic’s balls in my hand in an attempt at life changing foreplay.

There are spells, incantations and evocations. Ceremony which one is supposed to follow – complete with wands or swords or burning sage if your one of the touchy feely earthly people.

But who has time for that? It’s not midnight here, but it’s always midnight somewhere and that has to be good enough.

Certain things are supposed to be done at a crossroads, but I’ll take the nearest park bench.
I search for the cigarettes again. Why did I give these up?
I sit and I wait. Mumbling under my breath about barons and bones, cemeteries and lewd jokes.
I wait and he finally shows up.
“Whiskey?”
“All drank-ed..er..drunked…it’s gone.”
“Rum?”
“Don’t touch the stuff…too Caribbean for my taste. Too close to coconuts.”

He sits next to me, smelling of dust and cookies and smoke.
“Cigar? Cigarette? Anything? No. Of course not. It’s not even midnight.”
“It’s midnight somewhere.”
“What? Ke ke ke. Here, I’ve got some shitty smokes. Want one?”
“Why not? I’ve quit for long enough.”

We sit in the park, smoking, watching mothers protect their children’s eyes from the sight of us.  He smokes it, tearing of the filter, smoking until the ash colors his dark skin.

“Food?”
“Fuck. You’re greedy aren’t you?”
“Hey, boy, you called me here. When I show up, I expect somethin’. You know?”
“Yeah, well, I owe you one.”
“Friends should never let friends do magic drunk. Ke ke ke.”

He turns and looks at me, taking off his smokey sunglasses.
“What has you down, son? Why break all the rules and call me? This seems a little more important than some mystical drunk texting.”
“I miss my cat.”
“Oh, you have got to be shitting me! You call me all the way out here, in the middle of the day, because you miss your pussy?”
“Cat…”
His laugh scares the lone pigeon.

“I want to forget certain things…”
He pulls a worn flask from inside his coat and hands it over.
“You’re drunk already, but I can tell this is going to be heavy. And when things get heavy, we drink.”
I take a sip, it burns like rum spiced with lava.
“Wipe your tears and tell ol’ me all about it.”

I split open and just let it all out. The tough exterior worn down by his presence and liquor. He laughs at me, shakes his head, pats my knee. It’s paternal, grandfatherly.
At the end he takes a sip, lights up another cigarette and smiles.
“Forgetting is overrated, you know? I can’t forget anything and I get along fine. You’ll be fine.”

He hands me another cigarette. We stare at sunbeams, blowing smoke to the clouds as the world carries on.
“Isn’t it a bit too early to be drunk? Fucking disgusting.” A man in a suit, over priced coffee in hand, judges and spits at us.
“Hey! It’s midnight somewhere! Ke ke ke.”

*****

See here for the rules of this Chuck Wendig flash fiction.

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To Boston


I’m on the train in Queens, New York.
I’m playing Massive Attack’s “Protection” as a form of magic, a ward.
There is no reasoning, no logic, no excuse for what happened in Boston today.

I’m on the train in New York, using 90′s trip hop as a protective spell because I’m afraid.
There were cops and K-9 units on the platform, watching everyone.
But I’m still afraid.

But it’s nothing compared to what is going on in Boston. My thoughts are with the people in Boston.
I play “Protection” as much for you as for myself, and hope that one day the world will be able to move on from such meaningless violence.

The world isn’t as big as we’d like to think it is, there is no room for violence.

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Selina?


Not really a comment on Batman…just a comment on comics in general, and the rarity in which female characters are fully covered.

bat and cat

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The Black Terror


Bringing old characters back and making them…hipster-ish. (I feel I should hang my head in shame.)

black terror

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Spoiler Alert: Alias Season 1, ep. 6 & 7


Okay, it’s definitely getting better.
Even the side stories. The Hangover guy investigating the murder is finally turning into a real plot, with the girl he tried to interview showing up dead in a park.
I still don’t care about her friend and her now singing boyfriend. (Why do all the boyfriends have to sing…it seems like a worthless plot point to me)

The dynamic between Sydney and her father is getting better now that he’s, essentially, part of her team at SD6. The distrust she has for him seems like it could propel the show alone, but I have a feeling (and correct me if I’m wrong- her mother was the one being investigated for working with the KGB, not her father. He needs to turn out to be a good guy, I feel, in order to give Sydney some kind of closure.)

Seriously, though…what’s with all the costumes she wears? Is it “let’s give her the tightest, sexiest dress with random wig to do kung-fu in?” “Quick! Let’s make her hide up on some hot steam pipes in a mod dress so tight it looks like if she took a breath it would bust!”

Do women/girls look up to Sydney? She’s almost a good role model. She can defend herself, but she always seems to be the one in distress and her emotions get in the way of her doing her job efficiently.

I can tell they are setting up a romance between Sydney and Vaughn – that much is obvious. But, out of everything in the show, their romance seems the most forced. Right away he’s protective of her, when he’s replaced as her handler he tells the senior agent “You don’t know her.” And you do, Vaughn?

Speaking of Vaughn, and this may make me seem heartless, but that whole funeral part could have been cut out. I understand it’s their to add more depth to the extremely shallow characterization of Vaughn…but I found myself rolling my eyes, especially after he pretty much told Sydney not to feel bad the agents died in the blast because they “died for their country.” Gag.

Maybe it’s a first season thing, getting everything out in the open. I’m still in that place of if this were a show I was watching week to week it would not be something I looked forward to watching.

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